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Monday, March 20, 2006

Scott David Dover, 45, a father of two young boys in Cedar City, Utah, was arrested on Thursday and charges against the father could be filed today.

Police say he used electric dog collars to discipline his children. Conviction could result in up to 15 years in prison. Dover is being held in Iron County Jail; bail was set at ten thousand dollars.

Police Sgt. Jerry Womack said that the boys, both about six years old, did not have any burns or marks on them and that it was not known whether the collars had ever been placed around their necks. He also said, however, that Dover admitted to using the collars on his sons.

“It sounds bad, but it actually administers a mild shock. He just felt that was an option for discipline. We disagree vehemently,” said Womack.

Cedar City Police were contacted on Wednesday by the Department of Child and Family Services.

“The kids are OK. Try to always remember that this child needs guidance, protection and someone to show them the way. To us, discipline means guidance, working with children on their strengths or showing them that some things could be done differently,” said Carol Sisco, spokeswoman for the Utah Department of Human Services.

The “shock-collars” emit small electrical currents and are used for training dogs.

So far, the mother has not been charged. Latest reports said the boys were still living with her. Police are still deciding whether to file charges against her.

Friday, February 17, 2006

Buffalo, New York —Savarino Construction Services Corp. has proposed a $7 million hotel project at the Forest and Elmwood Avenue intersection, according to The Buffalo News. The proposal calls for a 5-story, 45,000 square-foot 80-room hotel with underground parking for at least 50 vehicles, and 4,500 square-feet of retail space on the lower level.

Hans Mobius, the owner of the five properties to be purchased in the plan (1109 to 1121 Elmwood), reportedly signed a contract with Savarino to assemble the development.

“We saw a huge opportunity to bring something to the Elmwood Village that will make sense and bring a service that’s currently not available,” said Eva Hassett, vice president of Savarino. “Elmwood is such a wonderful place to eat, shop, walk and spend time. We believe this project will add to that vibrant environment.”

Some business owners in the area see it differently. Wikinews interviewed 2 of the 4 owners whose business’s would be demolished if the development goes through.

Nancy Pollina, of Don Apparel at 1119 Elmwood, who found out about the development only yesterday, said she is “utterly” against the proposal. Her apparel shop has stood at the same location for nearly 14 years. She has volunteered in the community, and helped create several gardens around bus shelters in the city, and served on Forever Elmwood Board for six years as head of Beautification. Patty Morris co-owns Don Apparel with Pollina.

“To say this is a good looking project, I want to say the emperor has no clothes. This [project] does not take into consideration the needs of the college students. I have been told by college students, these shops here, are the reason they leave the campus,” said Mrs. Pollina.

Buffalo State College is 500-feet from the intersection.

Michael Faust, the owner of Mondo Video said, “Well, I do not really want to get kicked out of here. The landlord was very open, and the deal he made with me when I moved in here was ‘the rent is cheap and I [the landlord] will not fix anything and that will not change.'” Faust said he first learned of the development plan, “about 48 hours ago. I found out on Tuesday when the Buffalo News called and asked for my opinion on this.” Faust has not said if he will make plans to relocate. “We have to see if this [house] is going to get knocked down first,” said Faust.

An “informational” meeting, where citizens can voice opinions and learn about the proposal, will be held on Tuesday February 21, 2006 at 5:00pm (eastern), at the Burchfield-Penney Art Center Gallery at Buffalo State College, Rockwell Hall.

Executive director of Forever Elmwood Corporation, Justin P. Azzarella would not comment on whether or not the organization supports the development, saying, “you will just have to come to the meeting.”

Forever Elmwood Corp. is designed to preserve and protect the unique and historic nature of Elmwood Avenue and its surrounding neighborhoods and encourage neighborhood commercial revitalization. The organization was founded in 1994.

Nearly two years ago, the Forever Elmwood Corp. assisted in the blocking of the demolition of the Edward Atwater house at 1089 Elmwood next to Pano’s Restaurant which is at 1081 Elmwood. Owner Pano Georgiadis wanted to expand his restaurant onto the property where the house now stands, but the Common Council denied his permit to demolish saying the house is a historical landmark and needs to be protected. Georgiadis, who has a bleeding ulcer, said that all the court cases landed him in the hospital. “I got a bleeding ulcer, and since then, I don’t care about this house anymore, or this city. I just go to work every day. I think [preservationists] are parasites,” said Georgiadis.

Georgiadis will not be attending Tuesday’s meeting saying, “I will be out of town.”

In 1995 Hans Mobius proposed a plan to develop a Walgreens, that was to be placed in the same location, but residents and business owners shot down the proposal. Walgreens eventually withdrew its request for a variance after pressure from the community.

Saturday, July 21, 2012

Homebush Bay, New South Wales —Last night, the Australia men’s national wheelchair basketball team beat Japan 80–49 in their final game of pool play at the Rollers & Gliders World Challenge taking place at at the Sport Centre at the Sydney Olympic Park and are through to the first place match.

The contrast between the two teams was seen in their wheels: almost every Australian player had a four wheeled chair that gave them increased stability while every single Japanese player had three wheels, which gave them great maneuverability. Japan played the aggressor throughout the match, with several players aggressively blocking with wheelchair on wheelchair contact. Both sides were loud, chanting defense, defense, defense when their side was on that side of the court.

The first quarter was closely fought, with Japan racking up 5 by 5:54 left in the first. They successfully took a lead of 17–16 by the end of the first quarter. They were unable to hold the lead, with Australia holding a 40–24 lead at the end of the first half. Australia’s lead at the end of the third was 61–34. While Japan increased their total points in the fourth quarter, they failed to defend against Australia who continued to answer back basket for basket for the game to end 80–49.

Australia plays in the first place match later today. Their London Paralympic campaign starts on August 30 against South Africa.

Saturday, February 7, 2015

The death toll from Wednesday’s plane crash in Taipei, Taiwan reached 40 today with the recovery of five more bodies.

There were 58 on board when TransAsia Airways Flight 235 crashed into the city’s Keelung River. Fifteen survived and three more remain missing. Tzu Chi Foundation volunteer Lee Hung Shu-ying said today cold weather meant the families of the missing believe their loved ones are dead.

The Aviation Safety Council is investigating. The plane was in the air for minutes before banking steeply, hitting an elevated road, and crashing into the river. The domestic flight from Taipei Songshan Airport was headed to the island of Kinmen.

Investigators are focusing on the ATR 72-600’s engines. One engine automatically ‘feathered’ itself. Feathering involves the turboprop’s propeller rotating its blades to reduce drag.

Engines autofeather when they fail (‘flaming out’). By reducing drag on the non-working engine, a twin turboprop plane can fly safely using only its other engine. A feathered engine will not provide any thrust. The reason for autofeathering is presently unclear; what is known is the flight crew subsequently shut off the wrong engine. A series of stall warnings went off in the cockpit as the aircraft headed to disaster.

Aviation Safety Council managing director Thomas Wang confirmed an automated “number two engine flameout” message should have alerted the crew to the engine trouble, leading them to follow “the corresponding checklist”. “There are procedures that pilots go through — safeguards — when you’re going to shut down an engine, particularly close to the ground,” said John M. Cox, former commercial pilot and boss of a safety consultant. “Why that didn’t occur here, I don’t know.”

Stephen Fredrick, a former pilot of similar aircraft, told CNN video showing the final seconds is consistent with dual flameout. He said the wings-level, nose-down position suggested gliding.

Wang, however, cautions it is too early to blame any particular factor. “At this moment we just release the numbers, the parameter we’ve confirmed, we did not release any judgment who did what at this time”. The Aviation Safety Council has teamed up with engine manufacturer Pratt & Whitney Canada to examine the engines.

Also being prioritised is finalising a cockpit voice recorder transcript and cockpit examination. The aircraft was near-new.

Local prosecutors are investigating potential “professional error”, and the Civil Aeronautics Administration has ordered TransAsia retest all ATR pilots. 90 flights over three days are cancelled to allow the proficiency checks. TransAsia and Uni Air have also been ordered to check their collective 22 ATRs for engine and fuel system problems.

Pilot Liao Chien-tsung and his co-pilot, not publicly identified, were initially hailed as heroes by prosecutors, mayor Ko Wen-je, international press, and at least one relative of a survivor. After declaring “Mayday Mayday, engine flameout” to air traffic control the pair grappled with their struggling plane, avoiding buildings in its path.

They have been credited with reducing the death toll. Their bodies were found in the cockpit, with leg fractures. Both were still holding the wrecked plane’s controls.

Saturday, May 3, 2008

The Malaysian Consultative Council of Buddhism, Christianity, Hinduism, Sikhism and Taoism issued a statement Friday praising comments made Wednesday by Malaysian politician Datuk Seri Ong Ka Chuan on conversion to Islam. Malaysian Consultative Council president Datuk A. Vaithilingam said that Ong’s views are shared by Malaysians from all religious faiths in the country.

“Conversion to Islam should not be abused as a means to evade one’s legal obligations to one’s family. A person’s conversion to another religion should not cause pain and suffering for other members of the family,” said Vaithilingam. He asked state and federal government authorities to take necessary steps to fix loopholes in the law, so that Malaysians could freely practice religion in the country.

Ong is the current Minister of Housing and Local Government in the Malaysian cabinet, and also serves as the secretary-general of the {{w|Malaysian Chinese Association]] (MCA) and Perak MCA chairman. In his Wednesday statement, he said that individuals who convert to Islam through the marriage process should be permitted to renounce the religion if they leave the marriage. Ong also stated that the religion of a minor child with one Muslim parent should be determined by both parents, or remain the same until the child turns 18.

Ong said that issues involving divorce, custody of children and inheritance in matters of constitutional rights of non-Muslims had increased dramatically in the last three years. Ong emphasized the importance of civil law as related to non-Muslims in the country, as opposed to that of Syariah (Sharia), Islamic religious law.

“Non-Muslims are not to be subjected to any form of Syariah laws and for any disputes or overlapping areas involving the jurisdiction of civil and Syariah courts, civil laws must prevail. […] We urge the Government to be transparent in this process,” said Ong.

Ong’s comments were made as part of an 11-page motion of thanks on the royal address. His motion was seconded by Bintulu Minister of Parliament Datuk Seri Tiong King Sing. Ong also spoke about the corruption, education, crime and security and the economy in his two-hour speech.

Of the 27 million people in Malaysia, 60 percent are Muslim Malaysian Malays, 25 percent are Chinese and mainly Buddhists or Christians, and 7.8 percent are ethnic Indians and mainly Hindus.

Saturday, December 8, 2007

U.S. Congressional Democrats are asking the Justice Department to investigate whether the CIA’s destruction of videotapes documenting the interrogation of terrorism suspects amounts to obstruction of justice.

The acknowledgement by Central Intelligence Agency Director Michael Hayden that his agency destroyed the interrogation videotapes in 2005 sparked a firestorm of criticism among Congressional Democrats. They suggested the tapes could have provided key evidence in ongoing trials brought by terrorism suspects who are alleging they were tortured.

Senator Ted Kennedy, a Massachusetts Democrat, said, “What would cause the CIA to take this action? The answer is obvious – cover up. The agency was desperate to cover up damning evidence of their practices.”

Human Rights Watch’s Senior Counterterrorism Counsel commented to Google news saying, “The CIA was well aware that its interrogations crossed a line considered by many to be torture. Now some in the CIA may also be guilty of obstruction of justice as well – a serious felony that carries a possible 20 year sentence. There needs to be a serious criminal investigation, and those who have committed crimes should be prosecuted and convicted.”

The Democratic chairmen of the House and Senate Intelligence Committees are vowing to investigate, and other Democrats are calling on the Justice Department to do the same.

“You cannot destroy material if there is an ongoing investigation. There is a law against it,” said Senator Carl Levin of Michigan, the chairman of the Senate Armed Services Committee.

At the White House, spokeswoman Dana Perino said President Bush only learned of the matter two days ago, after he was briefed by CIA Director Hayden.

“He has no recollection of being made aware of the tapes or their destruction before yesterday,” said Perino.

Perino defended the CIA interrogation program as legal and critical to national security. She said President Bush supports General Hayden’s explanation that the tapes were destroyed to protect the identities of the interrogators.

But the Senate’s number two Democrat, Senator Dick Durbin of Illinois, rejected that argument:

“The defence of the CIA is that they wanted to protect the identity of those CIA employees who were engaged in the interrogation,” said Durbin. “Mr. [Senate] President, that is not a credible defence. We know that it is possible, in fact, easy, to cover the identity and faces of those who were involved in any videotape. Something more was involved here.”

The tapes, which documented the use of tough interrogation techniques against key terror suspects in 2002, were destroyed three years later, at a time when there was increasing pressure from defence lawyers to obtain videotapes of detainee interrogations and as Congress had been probing allegations of torture.

The Bush administration has maintained it does not use torture, but refuses to say what techniques are used by intelligence agencies in interrogations of terror suspects.

Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.

DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.

But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.

As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.

Tuesday, July 7, 2009

English actress Rachel Weisz thinks that Botox injections should be banned for all actors.

The 39-year-old actress, best known for her roles in the Mummy movie franchise and for her Academy Award-winning portrayal in The Constant Gardener, feels facial Botox injections leave actors less able to convey emotion and that it harms the acting industry as much as steroids harm athletes.

In an interview with UK’s Harper’s Bazaar, coming out next month, Weisz says, “It should be banned for actors, as steroids are for sportsmen,” she claims. “Acting is all about expression; why would you want to iron out a frown?”

Currently living in New York, she also mentions that English women are much less worried about their physical appearance than in the United States. “I love the way girls in London dress,” she claimed. “It’s so different to the American ‘blow-dry and immaculate grooming’ thing.”

Friday, September 9, 2005

New Orleans, Louisiana —After Category 4 storm Hurricane Katrina slammed into New Orleans, on the night before August 29, 2005, several flood control constructions failed. Much of the city flooded through the openings. One of these was the flood wall forming one side of the 17th Street Canal, near Lake Pontchartrain. The U.S. Army Corps of Engineers (USACE) is the primary agency for engineering support during such emergencies. A USACE team was assessing the situation in New Orleans on the 29th, water flow was stopped September 2nd, and the breach was closed on September 5th.

Tuesday, October 2, 2007

The jury in the Isiah Thomas sexual harassment trial revealed a guilty verdict Tuesday, ruling that the current New York Knicks coach subjected former Madison Square Garden executive Anucha Browne Sanders to unwanted sexual advances and verbal insults.

In a minor victory for Thomas, the ruling also said that Thomas will not have to pay punitive damages. However, Thomas’ employer, Madison Square Garden, was also found guilty of harassment and will have to pay millions dollars worth of punitive damages to Browne Sanders.

The ugly three-week trial originated with a US$10 million lawsuit filed by Browne Sanders, the former senior vice president of marketing and business operations for the Knicks. She was fired by the team in December of 2006, and following her dismissal she filed the explosive lawsuit alleging that Madison Square Garden fostered an environment of sexism and inequality, personified by the conduct of Isiah Thomas. She stated that Thomas repeatedly called her a “bitch” and a “ho”, and pressured her to kiss him and said that he loved her. She also stated that the firing was the result of her filing a complaint about Thomas. Madison Square Garden, and the coach known for his charismatic and emotional demeanor, denied the charges.

After the guilty verdict was read, a relieved Browne Sanders hugged her family and friends who were present at the trial. Thomas met with his lawyers, and while leaving the courthouse stated, ““I’m innocent, very innocent, and I did not do the things she has accused me in this courtroom of doing. I’m extremely disappointed that the jury did not see the facts in this case. I will appeal this, and I remain confident in the man that I am and what I stand for and the family that I have.”

Madison Square Garden is also expected to appeal the decision.